中文导读

贝叶挂毯（Bayeux Tapestry）是一幅约70米长的11世纪刺绣，描绘1066年诺曼底公爵威廉渡海入侵、在黑斯廷斯战役中击败英格兰国王哈罗德的诺曼征服故事。根据英法达成的出借协议，它自制成近千年来首次回到英格兰，于2026年9月10日至2027年7月11日在伦敦大英博物馆展出。据BBC报道，7月开售首日售出约10万张门票，创该馆纪录；《标准晚报》称9月至12月场次在24小时多一点内售罄。成人票最高33英镑，而在法国贝叶当地通常约10英镑；2027年1月至3月的门票将于10月21日向公众发售。展览开幕后曾出现最长约两小时的排队，博物馆道歉并增加语音导览、座位和指示牌，并延长开放时间。《华盛顿邮报》10月18日报道，这股热潮还延伸到古战场附近售罄的战斗重演、播客、纪录片以及关于英国历史的讨论。历史学家提醒，挂毯由胜利者一方下令制作，主要呈现诺曼人的视角；大英博物馆则指出它很可能由英格兰刺绣工匠完成，同时记录了当时的日常生活。文中据上述报道和博物馆资料改写。

正文

For the first time since it was made nearly 1,000 years ago, the Bayeux Tapestry has returned to England. The embroidery, about 70 meters long, tells the story of the Norman Conquest of 1066. It is on loan from France to the British Museum in London until July 2027, and the museum describes the public response as “extraordinary.”

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贝叶挂毯（Bayeux Tapestry）自近1000年前制成以来，首次回到英格兰。这幅长约70米的刺绣讲述了1066年诺曼征服的故事。它由法国出借给伦敦的大英博物馆，展期到2027年7月；博物馆形容公众的反响“非同寻常”。

The numbers show how strong the interest is. About 100,000 tickets were sold on the first day of sales in July, a record for the museum, and all visits from September to December were gone in just over 24 hours. Adult tickets cost up to £33, far more than the usual price of about £10 in the tapestry’s home town of Bayeux, in Normandy. The next group of tickets, for January to March, goes on sale to the public on October 21.

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数字显示了人们的兴趣有多强烈。7月开售首日约售出10万张门票，创下该馆纪录；9月至12月的全部参观场次在仅仅24小时多一点的时间里就被抢空。成人票最高33英镑，远高于在挂毯的故乡、诺曼底的贝叶观看时约10英镑的常规价格。下一批1月至3月的门票将于10月21日向公众发售。

Success has also brought problems. After the exhibition opened on September 10, some visitors waited up to two hours, and hundreds of ticket holders were reportedly turned away one day when the museum closed early for a private event. The museum apologized and offered refunds. It added an audio guide, more seats and clearer signs, and it now stays open until 9 p.m. Thursday to Saturday.

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成功也带来了问题。展览9月10日开幕后，一些参观者排队长达两小时；据报道，有一天博物馆因私人活动提前闭馆，数百名持票者被拒之门外。博物馆为此道歉并提供退款。它还增加了语音导览、更多座位和更清楚的指示牌，现在周四至周六开放到晚上9点。

Why does an old cloth attract such crowds? Part of the answer is the story itself. The tapestry shows William, Duke of Normandy, crossing the sea and defeating the English king Harold at the Battle of Hastings on October 14, 1066. About a quarter of it shows the fighting. The year 1066 is the most famous in English history. It was the last time the country was successfully invaded, and the tapestry is studied in schools across Britain.

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为什么一块古老的布能吸引这么多人？部分原因在于故事本身。挂毯描绘了诺曼底公爵威廉渡海而来，并在1066年10月14日的黑斯廷斯战役中击败英格兰国王哈罗德。其中约四分之一的画面表现战斗场景。1066年是英格兰历史上最著名的年份。那是这个国家最后一次被成功入侵，而这幅挂毯也是英国各地学校学习的内容。

Interest goes beyond the museum. Earlier this month, a sold-out show near the old battlefield brought together hundreds of people in medieval clothes to act out the fight. The Washington Post reports that it has also led to podcasts, BBC documentaries and political debate about Britain’s past and future.

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这股热潮并不止于博物馆。本月早些时候，在古战场附近举行的一场门票售罄的表演，聚集了数百名身穿中世纪服装的人重现那场战斗。据《华盛顿邮报》报道，这幅挂毯还带动了播客、BBC纪录片，以及关于英国过去与未来的政治讨论。

Historians advise some care. The work was ordered by the winners, so it mainly tells the Norman side of the story. Yet the museum says it was probably made by English embroiderers, and it also shows daily life, from ships and castles to clothing and food. Some performers at the battle show agree. “We English really are Normans, too,” said Raffi Thomas. Cathy Murphy, who leads one of the groups, said the English are “the product of Normans and Saxons, and everybody else.”

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历史学家建议保持一些审慎。这件作品是由胜利者下令制作的，因此主要讲述的是诺曼人一方的故事。不过，博物馆表示它很可能出自英格兰刺绣工匠之手，而且也展现了日常生活，从船只、城堡到服装和食物。战斗表演中的一些参与者也有类似看法。“我们英格兰人其实也是诺曼人，”拉菲·托马斯（Raffi Thomas）说。领导其中一个团体的凯茜·墨菲（Cathy Murphy）则说，英格兰人是“诺曼人、撒克逊人以及其他所有人的产物”。

新闻来源

• British Museum · The Bayeux Tapestry (exhibition, 10 Sep 2026 – 11 Jul 2027)
• BBC News · British Museum announces changes to ease Bayeux Tapestry queues (4 Oct 2026)
• The Washington Post · U.K. revisits its bloody history in medieval tapestry and battle reenactments (18 Oct 2026)
• The Standard · Bayeux Tapestry tickets are about to go back on sale (18 Oct 2026)

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